![]() ![]() ![]() ![]() More recently, Roy Hargrove, Christian Scott, and Ambrose Akinmusire have demonstrated that there’s no shortage of talented horn men waiting to break through into the spotlight. No small number of the world’s best jazz trumpeters have emerged in the last 30 years, the most significant of which has been Wynton Marsalis. In the 70s, when jazz-fusion and jazz-funk came to the fore, Miles Davis led the way once more, closely followed by Woody Shaw and Eddie Henderson. Clifford Brown, too, cast a deep spell during the early 50s and helped to shape the trajectory of jazz trumpet playing.Ī steady stream of trumpet players emerged in the 60s, including innovators such as free jazz maven Don Cherry and micro-tone experimentalist Don Ellis. Though he would go on to influence the development of jazz music into the 70s, Davis would have earned his place among the world’s best jazz trumpeters for his work in the 50s alone, and had a profound influence on jazz musicians everywhere. Though not as technically accomplished as Gillespie, Miles had a lyrical tone and knew how to use space, light, and shade. The bop era produced a welter of other fine trumpeters, but one, in particular, stood out from the crowd: Miles Davis. But Dixieland jazz was superseded by big band swing in the 30s which gave rise to a new breed of horn man, epitomized by Hot Lips Page, Cootie Williams, and Harry “Sweets” Edison, who played with the day’s pre-eminent bandleaders, among them Count Basie, Artie Shaw, and Duke Ellington.Īs swing gave way to bebop in the mid-40s, one of the new music’s architects, puff-cheeked wind machine Dizzy Gillespie, gave jazz trumpet a complete makeover. In Armstrong’s wake came trumpeters such as Doc Cheatham, Muggsy Spanier, and Bix Beiderbecke – all contenders for the best jazz trumpeter crown. ![]()
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